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TEWWG
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Snapping Beans
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Identity Card
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Hamlet
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The Namesake
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Separation
between mind and soul, how growing and changing may not affect inner beliefs
(body is a prison that can be corrupted)
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“she had an
inside and an outside now and suddenly she knew how not to mix them.”
(Hurston 72)
-Janie
struggles to make a happy combination of her cultural identity and relationship
values
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Repetition of
“I wanted to tell her…” “…how I was tearing, splitting myself apart…” (Parker
20)
-separate
spheres of home and school causes an inner battle over balance between the
two settings and their different lifestyles
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“I have a name
without a title.” (Darwish 19)
-importance of
family name and background over a “title” (superficial)
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“When we have
shuffled off this mortal coil…” (Act III, scene I, 66)
-Hamlet views the
body more as a prison-vulnerable to corruption of society.
-belief that
death may be the only escape from the struggle between outer and inner.
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Age=thought to
be symbolic of loss of power, but really gaining of wisdom
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“It was time
for sitting on porches beside the road.” (1)
-Contrast of
start and end of her journey/age
“Combing road
dust out of her hair.” (192)
-the
conclusion of her long journey along the “road of life” made her wiser than
at the start
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“She reached
the leather of her hand over the bowl and cupped my quivering chin.” (26)
-Contrast of
the power of ancient wisdom and the uncertainty of youth.
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“…my roots
were entrenched before the birth of time.” (22)
-this very
deep-rooted culture leads to more stable beliefs-not so easily knocked down
by societal values.
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Bildungsroman-coming
of age tale
“You are the
most immediate to our throne; and with no less nobility of love than that
which dearest father bears his son, do I impart toward you.”
(Act I,scene
ii, 109)
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Wisdom over
knowledge
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“It’s funny
how things blow loose like that.” (46)
“…the evening
star was a planet…” (31)
-Although she
wants to tell her grandmother the truths about life (book truth), her
grandmother already knows more about life than school could ever teach the
girl. (there’s a different kind of power that comes with wisdom than with
knowledge.)
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“…teaches me
the pride of the sun before teaching me how to read.”(30)
-emphasizes
the power of a more ancient kind of knowledge. Whatever is trying to destroy
their family’s lifestyle doesn’t and will never understand this.
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“Ashoke was
saddened, as he place the empty suitcase under his seat […] regretful of the
circumstances that would cause it, upon his return, to be full.” (13)
-Not aware
that it will not be full with books, but with the wisdom of his grandfather
(will shape the remainder of his life and onto Gogol’s.)
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Characters
have the need to confront the fear of their past in order to move up in
achieving self-actualization
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“…how my
stomach burned acidic holes at the thought of speaking in class, speaking in
an accent…” (35)
-separate
spheres of school and home
-fear of their
combination and what will result (society’s ridicule)-makes it hard for her
to grow.
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“The
undiscover’d country from whose bourn no traveler returns, puzzles the
will...” (Act III, scene 1, 78)
-not culture,
but to where we all come from before we live and where we go when we die.
-knowing and
accepting this fear allows him to move on.
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“All those
trips to Calcutta he’s once resented-how could they have been enough? They
were not enough.” (281)
-towards end
of his journey, one of the last steps in finally achieving self-knowledge (resentment)
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Societal
values (over cultural) corrupt the individual
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“…that my
friends wore nose rings and wrote poetry about sex, about alcoholism, about
Buddha.” (32)
-she is proud
of the new things she’s learned but is unaware that they will do more harm
than good in her journey.
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“You have
stolen the orchards of my ancestors and the land which I cultivated along
with my children.” (39)
-society is
tearing up the “roots” of his family and culture.
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“Their virtues
else-be they as pure as grace […] shall in the general censure take
corruption from that particular fault…” (Act I, scene iv, 34)
-Although
experience and relationship may shape people’s virtues, there is corruption
that no matter what, will negatively affect them in the end. (inevitable).
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“What is the
reason you wish to change your name, Mr. Ganguli? […] He wonders whether to
tell the judge the whole convoluted story […] about what had happened on the
first day of kindergarten.” (101)
-A major legal
and life decision of Gogol’s comes from the view that society holds about his
name, really his past and his parents’ pasts.
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Characters’
pasts lay a blueprint for their future (although they go through a journey,
their pasts and cultures already determine the outcome/their potential).
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“Ah was born
back due in slavery so it wasn’t for me to fulfill my dreams of what a woman
oughta be and to do.” (16)
-Her
grandmother’s past not only determined the life she lived, but prompted her
to live her life through Janie.
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“As, in their
birth-wherein they are not guilty, since nature cannot choose his origin-“
(Act I, scene iv, 24)
-concedes that
an individuals’ origin does not make him guilty of his character, but does
determine it.
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“’Hello Gogol.
[…] Ashima approves, aware that the name stands not only for her son’s life,
but her husband’s.” (28)
-train
incident- similar to Janie’s grandmother- shaped Ashoke’s life and
indirectly, Gogol’s namesake.
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Monday, April 7, 2014
#22 Synthesis Matrix
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